AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

A shirtless and shoeless Black man wearing white pants and a sword along his right leg while brandishing a rifle with both hands and identified as "Leonard Parkinson, a Captain of the Maroons."

“Leonard Parkinson, a Captain of the Maroons”

1769

View a depiction of a maroon community leader.

Primary Source

A stipple portrait of a mustachioed man identified as "Negro Abraham" wearing a fringed coat and turban, holding a staff in his right hand

“Negro Abraham”

1863

View a depiction of a Black Seminole leader.

Primary Source

An engraving of a Black man identified as "Gopher John." wearing a feathered headdress and tunic. standing on a riverbank as two people paddle a canoe in the background

“Gopher John, Seminole Interpreter”

1863

View a depiction of this Seminole leader and interpreter.

Primary Source

Alain Locke, a Black man, wearing a white suit, vest, and shirt, and a dark tie.

“Negro Youth Speaks”

1925

Read an excerpt from Alain Locke’s book The New Negro, a cornerstone of the New Negro movement.

Primary Source

The head of Countee Cullen, a Black man, with a stylized drawing of his shirtfront (white shirt, black bow tie).

“Heritage” by Countee Cullen

1925

Take a deep dive into Countee Cullen’s vision of Africa through this poem.

Primary Source

A lobby card for the movie "The Betrayal". The card is comprised of a black-and-white image of a man and woman standing in a room in front of another man lying on the carpet on the floor. The man on the floor appears to be dead. The woman is wearing a dark shiny dress and is holding a gun at her side in her left hand. Her right hand is resting on her chest and her face appears to be in a state of shock. The man standing next to her is wearing a light colored suit and hat and is extending his hand toward her

Lobby card for “The Betrayal”

1948

View a lobby card from Black filmmaker Oscar Micheaux’s last film.

Primary Source

Several Black men in three rows (sitting, kneeling, standing), all in dark flight suits, boots, and goggled helmets, in front of biplanes. Some men's signatures are next to their photograph.

Flight Instructors at Tuskegee Army Air Field

1945

View this photograph of the Tuskegee Airmen near the end of World War II.

Three bathroom doors, labeled "Ladies," "Men," and "Colored."

Segregated Restrooms

ca. 1960

View an example of the impact of Jim Crow.

Primary Source

Approximately thirty-five Black boys and young men standing in a field, wearing striped prison jumpsuits and caps, with shackles linked to belts around their waists, and holding hoes.

“Juvenile Convicts at Work in the Fields”

1903

View a photograph of juvenile convict laborers.

Primary Source

Several men (mostly Black men) in striped jumpsuits sitting and standing. Several of the individuals have dogs sitting with them. Standing behind the prisoners are five (5) men in civilian clothes. In the background is a large tent and a small wooden building among trees. White text in a lighter colored rectangle at the bottom front margin reads "A North Carolina Convict Camp."

Postcard of a North Carolina Convict Camp

ca. 1910

View this publicly shared image of a camp of primarily African American prisoners.

Primary Source

An abstract painting of people in masks with oversized hands and feet.

“The Jungle (La Jungla)”

1942–1943

View this painting by Afro-Cuban painter Wifredo Lam.

Work of Art

Three of the San Francisco 49ers football team kneeling (right knee on ground, arms balanced on left knee) during the pregame performance of the national anthem, as their teammates, coaches, and staff stand, some with hats or hands on their left breast, behind them. The three Black men kneeling are wearing the 49ers uniform of red jerseys, gold pants (with red-white-red stripes along the leg), and either red or white socks.

San Francisco 49ers Protest

2016

View a contemporary example of sports as a platform for protest.