AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Wooden staff in the form of a kneeling female figure holding a stylized snake in an inverted U over her head, topped by a pair of opposing triangles in a bowtie or double-ax form. Female figure has white beads around her neck and staff is pigmented in red, blue, and white.

Yoruba osé Ṣàngó

Mid-20th Century

Take a closer look at an example of syncretic cosmologies.

Primary Source

A wood sculpture, painted black, in the form of a standing female figure with arms at sides apart from torso, hands on hips, and feet and legs apart; on her head there is a double-ax motif.

Yorùbá Oshe Shango Ceremonial Wand

19th or 20th Century

View this contemporary piece honoring a traditional Yoruba god.

A woodcut of a Black woman with short hair, her wrists in shackles, kneeling and looking up, with the phrase “Am I Not a Woman and a Sister?” arched above

“The History of Mary Prince, a West Indian Slave”

1832

This narrative was disseminated by the London Society for the Abolition of Slavery.

Primary Source

A black-and-white photograph of a White soldier with a heavy dark beard sitting in a chair, wearing a double-breasted Union Army uniform, with a gold bar with two stars on his left shoulder

General Order No. 3

1865

Read the General Order announcing emancipation in Texas, giving birth to Juneteenth.

Primary Source

Portrait of Paul Laurence Dunbar, a young Black man, wearing a dark suit and tie and white shirt.

“The Colored Soldiers”

1895

This poem, featured in Dunbar's collection Majors and Minors, recalls the impact of Black service in the Civil War.

Primary Source

A green book cover with gold text reading "Harriet, the Moses of Her People"

Harriet, the Moses of Her People

1886

Read an authorized description of Tubman’s escape written by a White woman who had interviewed Tubman.

Primary Source

Title page of The Refugee: or the Narrative of Fugitive Slaves in Canada

Harriet Tubman’s reflection in The Refugee

1856

Read Tubman’s memories of enslavement and freedom in her own words.

Primary Source

An engraving of a bust of a bearded Black man wearing a black suit, white shirt, and dark bow tie, in three-quarter view looking toward the left

“An Address to the Slaves of the United States”

1843

Explore this speech, rejected by the National Colored Convention.

Primary Source

Color print of a Black Union soldier in uniform (blue wide brimmed hat with an emblem, blue double-breasted coat with a black belt and gold US belt buckle and red sashes, blue pants, black shoes), holding a sword in his right hand and its sheath in his left; a large American flag flies over his head and there are military tents and a Black soldier in the background.

Martin R. Delany on Emigration

1852

Learn more about the many emigration and colonization pathways for formerly enslaved people.

Primary Source

A handwritten letter in cursive

An Account of the Stono Rebellion

1739

Explore James Oglethorpe’s account of the Stono Rebellion in South Carolina.

Primary Source

Color portrait of a smiling, bare-chested Black man, with grayscale vignettes of the same man shown in a boxing ring facing an opponent, and standing facing out wearing boxing shorts and gloves; at the top are the words "Jack Johnson: The Galveston Giant"

Jack Johnson

by Eddie Flier

View this artistic homage to boxing champion Jack Johnson.

Work of Art

A typed list of Black and Puerto Rican Studies courses for the Fall 1972 semester, pale blue ink on white copy paper

Schedule of Courses for Black and Puerto Rican Studies

1972

View one of Hunter College‘s earliest African American Studies course catalogs.

Primary Source