AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Wooden staff in the form of a kneeling female figure holding a stylized snake in an inverted U over her head, topped by a pair of opposing triangles in a bowtie or double-ax form. Female figure has white beads around her neck and staff is pigmented in red, blue, and white.

Yoruba osé Ṣàngó

Mid-20th Century

Take a closer look at an example of syncretic cosmologies.

Primary Source

Black and white portrait of Booker T. Washington, three-quarter length, seated, facing front

Frederick Douglass and Booker T. Washington: A Little-known Encounter

by Adele Alexander

Learn the critical differences in attitude and approach taken by Douglass and Washington, and their 1892 encounter at the Tuskegee Institute.

Essay

The image is a sepia-toned portrait of Ida B. Wells, the African American journalist, activist, and anti-lynching crusader. She is shown from the chest up, wearing a high-collared, intricately embroidered lace dress with ruffled details. Her hair is styled in an elegant updo, and she has a composed, determined expression while gazing slightly to the side. The soft lighting and classic photographic style suggest it was taken in the late 19th or early 20th century.

The Persistence of Ida B. Wells: Reform Leader and Civil Rights Activist

by Kristina DuRocher

Learn more about Wells’s fight against lynching, her journalism, and her leadership in the civil rights movement.

Essay

Traveling Black: A Story of Race and Resistance

with Mia Bay

Learn more about the impact of Homer Plessy on segregation and discrimination of railroad travel.

Video

Photograph of Chad Williams, a Black man, in a blue suit with a light blue button-down shirt.

The Wounded World: W. E. B. Du Bois and the First World War

with Chad Williams

Learn about W.E.B. Du Bois and his thoughts on the participation of Black Americans in the First World War.

Video

A photograph of a bronze cast sculpture titled "Emancipation." The sculpture depicts male and female figures emerging from the tree of knowledge at the center.

Shaping the Public Imagination: The Sculpture of Meta Vaux Warrick Fuller

by Chenoa Baker

Read about the life and art of Fuller and some of her more famous pieces.

Essay

Laura Wheeler Waring, a Black woman, wearing an artist's smock and painting a portrait of a man with her right hand while holding a palette in her left. On the walls behind her are other portraits and artwork.

Laura Wheeler Waring: A Luminous Palette

by Cherene Sherrard-Johnson

Learn more about Laura Wheeler Waring’s portraiture, highlighting her luminous palette and contributions to African American art history.

Essay

Black-and-white photograph of an art gallery, with three men standing in the gallery: a white man in his Coast Guard captain uniform of dark double-breasted coat, white shirt, dark tie, and white cap with a dark brim); at center, a white man in a dark suit, light colored shirt, and dark tie; and at right, a Black man in his Coast Guard sailor uniform of dark shirt (with gold bands on the sleeves) and pants, light-colored scarf, and dark beret.

The Cubist Collage Aesthetic and the Historical Narratives of Jacob Lawrence

by Patricia Hills

Read more about Jacob Lawrence’s use of cubist collage aesthetics to depict historical narratives in his artwork.

Essay

A yellowed four-fold pamphlet featuring the photograph (at top left) of Stanley Dones, a Black man wearing a dark jacket, white shirt, and dark tie, placing his right hand upon his chin.

Black Land Ownership in the Jim Crow Era

with Alison Rose Jefferson and Sandra Trenholm

Explore the history of the Black-owned Eureka Villa housing development in 1920s California.

Video

A black and white photograph of Nannie Helen Burroughs, a young Black woman, shown seated from the waist up, wearing a dark hat with a white feather and a white blouse

“How the Sisters Are Hindered from Helping”

1900

Read Nannie Helen Burroughs’s address casting light on the importance of women organizing in Black institutions.

Primary Source

A black-and-white photograph of Marcus Garvey, a Black man wearing a dark suit, light-colored vest, white shirt, and dark tie, sitting in a wooden chair next to a desk filled with papers, holding a handkerchief in his right hand and a gavel in his left.

Marcus Garvey at His Desk

1924

View this photograph of Marcus Garvey, the founder and leader of the Universal Negro Improvement Association.

Primary Source

A handwritten copy of the Thirteenth Amendment

The Thirteenth, Fourteenth, and Fifteenth Amendments

1865, 1868, and 1870

Read the three Reconstruction Amendments.

Primary Source

AP African American Studies Resource Library