AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Masthead of the Southwestern Christian Advocate newspaper.

Clarissa Reed Searches for Her Family

1883

Read a formerly enslaved woman’s plea for information about her lost parents and siblings.

Primary Source

Cover page for "Le Code Noir ou Edit Du Roy," featuring a royal seal at the top of the page and a round stamp from the Bibliotheque National.

Louisiana Code Noir

1724

Read a revision to the Code Noir, developed following slave codes in English colonies.

Primary Source

A Black man in a multicolored robe and cape, a gold hat with a red frill, and silver earrings, looking upward.

Nzinga Mbemba to Portuguese King João III

1526

Read a letter from the king of Kongo to the king of Portugal negotiating the slave trade system.

Primary Source

Cover of Opportunity: A Journal of Negro Life, featuring a Black woman wearing a brown hat (extending down her neckline) and large gold hoop earrings encircled in a black circle with a peach background.

“Restricted West Indian Immigration and the American Negro”

1924

Read this piece on the impact of the Immigration Act of 1924 on Afro-Caribbean migration to the US.

Primary Source

Black and white photograph of a large group of people, mostly women, posed around the exterior of a large Italianate style mansion. The figures are arranged on the building's multi-level balconies, stairs, and around a rectangular pool on the ground level. The photograph is mounted on a piece of gray cardboard that has sustained loss at the top right and bottom right corners. In the bottom right corner is black script that is partially missing.

Convention of Madam C. J. Walker Agents

1924

View an example of the extent and success of Madam C. J. Walker’s business empire through this photograph.

Primary Source

President Barack Obama, standing wearing a black suit, white shirt, and striped gray and white tie, awarding the Presidential Medal of Freedom to Maya Angelou, seated wearing a black dress, sparkly necklace and earrings, and sunglasses, as other honorees (including Sylvia Mendez) sit and look on.

Maya Angelou at the Library of Congress

1984

Listen to Maya Angelou read from her work, including her poem “Still I Rise,” and Dunbar’s “We Wear the Mask.”

A color lithograph poster for the musical film Space is the Place featuring Sun Ra and the Arkestra. Sun Ra is depicted in the center of the poster wearing a headdress and collar resembling that of an Egyptian pharaoh. The headdress is topped by a large golden orb with long extensions on either side. On either side of Ra is a yellow and red flaming sun. Above and below him are the words [SUN RA / IN / SPACE IS THE PLACE] small planets are scattered among the lettering.

Poster for “Space is the Place”

1974

View an example of Sun Ra’s Afrofuturist art.

Primary Source

Three Black men in suits and two Black women in dresses protesting, as other people protest in the background. The woman on the right, Maya Angelou, is holding a sign, the bottom of which reads "W.E.B. Du Bois."

Maya Angelou, Julian Mayfield, and Others in Ghana

1963

View an example of African American activism in Ghana.

Primary Source

A map of the then-forty-eight states, each with a number of lynchings from 1889 to 1921 (in red) and the number of representatives who voted against the federal anti-lynching bill (in black).

“Visualizing the Red Summer” Map

2015–2025

Explore the history of racial violence culminating in the Red Summer of 1919.

Thematic Map

Two Black women wearing light-colored coats look into a glass vitrine case with the title "Arthur A Schomburg, 1874–1938." Atop the case is a matted photograph of Arturo [Arthur] Schomburg.

“The Negro Digs Up His Past”

1925

Read this essay by Afro-Latino historian and collector Arturo Schomburg.

Primary Source

Marcus Garvey, a Black man, wearing a dark jacket and vest, white shirt, and dark tie. He is also wearing a button on his lapel.

“Address to the Second UNIA Convention”

1921

Read Marcus Garvey’s address rejecting the colonization of Africa and advocating Black nationalism.

Primary Source

From left to right: Fodé Lassana Diabaté, a Black man wearing a light-colored tunic and dark red shirt, playing the balafoon (a struck instrument similar to a xylophone); Hawa Kassé Mady Diabaté, a Black woman wearing a patterened cloth dress and red headscarf, singing with arms outstretched, and Chérif Keita, a Black man in a blue robe, smiling.

The Sunjata Story: Glimpse of a Mande Epic

with Fodé Lassana Diabaté, Hawa Kassé Mady Diabaté, and Chérif Keita

Explore the story of Sunjata Keita through this performance.

Video