AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Wooden staff in the form of a kneeling female figure holding a stylized snake in an inverted U over her head, topped by a pair of opposing triangles in a bowtie or double-ax form. Female figure has white beads around her neck and staff is pigmented in red, blue, and white.

Yoruba osé Ṣàngó

Mid-20th Century

Take a closer look at an example of syncretic cosmologies.

Primary Source

A wood sculpture, painted black, in the form of a standing female figure with arms at sides apart from torso, hands on hips, and feet and legs apart; on her head there is a double-ax motif.

Yorùbá Oshe Shango Ceremonial Wand

19th or 20th Century

View this contemporary piece honoring a traditional Yoruba god.

The interior of the Dexter Avenue Memorial Baptist church, with light streaming in through multicolored stained-glass windows.

Young Black adults less Protestant than their elders

2021

Compare generational statistics of religious affiliation among Black Americans.

Secondary Source

A green book cover with gold text reading "Harriet, the Moses of Her People"

Harriet, the Moses of Her People

1886

Read an authorized description of Tubman’s escape written by a White woman who had interviewed Tubman.

Primary Source

Title page of The Refugee: or the Narrative of Fugitive Slaves in Canada

Harriet Tubman’s reflection in The Refugee

1856

Read Tubman’s memories of enslavement and freedom in her own words.

Primary Source

A large shallow, round tray shaped basket made of reeds, rush and palmetto coiled and woven together. A faded purple string is woven through the basket on one side and knotted inside the basket.

Rice Fanner Basket

pre-1863

View this artifact of rice cultivation by enslaved people on the South Carolina coast.

Primary Source

An engraving showing two dozen armed Black men in the foreground hidden along a forested path and hillside watching a group of White men in military dress coming down the path in the distance

“The Maroons in Ambush . . . in Jamaica”

1801

View this depiction of a maroon revolt in Jamaica.

Work of Art

A dark abstract painting of a mask with horns

“Les Fétiches”

1938

View Loïs Mailou Jones’s painting, which brought Négritude from literature to art.

Work of Art

A black-and-white photograph of Marcus Garvey, a Black man wearing a dark suit, light-colored vest, white shirt, and dark tie, sitting in a wooden chair next to a desk filled with papers, holding a handkerchief in his right hand and a gavel in his left.

Marcus Garvey at His Desk

1924

View this photograph of Marcus Garvey, the founder and leader of the Universal Negro Improvement Association.

Primary Source

Masthead of The Liberator, featuring a depiction of an enslaved family next to an auctioneer, whose lectern reads "Slaves Horses & Other Cattle to be sold at 12 OO."

The Question of Naming in The Liberator

1831

Explore responses to questions of Black identity and nomenclature in the famed abolitionist newspaper.

Primary Source

Front page of The Colored American newspaper

“Why We Should Have a Paper”

1837

Read the founding manifesto of The Colored American newspaper.

Primary Source

Title of Student Nonviolent Coordinating Committee (SNCC) pamphlet on "Structure and Leadership."

“Women in the Movement”

1964

Read this anonymously written memo calling out gender inequality and tokenism in the SNCC.

Primary Source