AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Cover of the Messenger magazine for March 1920, featuring two torches held by disembodied hands on either side of a wreath, within which features the contents of that month's issue.

“Negroes, Leave the South!”

1920

Read an anonymous editorial calling on African Americans to move north, east, and west for safety and opportunities.

Primary Source

Portrait of Paul Laurence Dunbar, a young Black man, wearing a dark suit and tie and white shirt.

“We Wear the Mask”

1895

Read Paul Laurence Dunbar’s poem, which poses a “mask” similar to Du Bois’s “veil.”

Primary Source

“If We Must Die”

1919

Read Claude McKay’s defiant poem, in response to violence against African Americans following World War I.

Primary Source

Langston Hughes, a Black man, wearing a dark suit, dark tie, and white shirt.

“The Negro Artist and the Racial Mountain”

1926

Read Langston Hughes's essay on the limits placed on Black poets and writers during this period.

Primary Source

The top of a print of five portraits in connected ovals, two portraits, then one portrait, then two portraits. In this crop, only the top three circles are visible. All five are of Black men who served in the US Congress immediately following ratification of the 15th Amendment during the Reconstruction era.

African American Members of Congress

1884

View this depiction of five African Americans elected to Congress.

Primary Source

The head of Countee Cullen, a Black man, with a stylized drawing of his shirtfront (white shirt, black bow tie).

“Heritage” by Countee Cullen

1925

Take a deep dive into Countee Cullen’s vision of Africa through this poem.

Primary Source

Three bathroom doors, labeled "Ladies," "Men," and "Colored."

Segregated Restrooms

ca. 1960

View an example of the impact of Jim Crow.

Primary Source

Approximately thirty-five Black boys and young men standing in a field, wearing striped prison jumpsuits and caps, with shackles linked to belts around their waists, and holding hoes.

“Juvenile Convicts at Work in the Fields”

1903

View a photograph of juvenile convict laborers.

Primary Source

Several men (mostly Black men) in striped jumpsuits sitting and standing. Several of the individuals have dogs sitting with them. Standing behind the prisoners are five (5) men in civilian clothes. In the background is a large tent and a small wooden building among trees. White text in a lighter colored rectangle at the bottom front margin reads "A North Carolina Convict Camp."

Postcard of a North Carolina Convict Camp

ca. 1910

View this publicly shared image of a camp of primarily African American prisoners.

Primary Source

A stained glass sign that reads “CITIZENS / SAVINGS / BANK”

Citizen’s Savings and Trust Company Clock

1920–2013

View this artifact of a financial institution founded for the purposes of growing Black wealth.

Duke Ellington, a Black man wearing a light colored jacket, white shirt, and dark tie, playing the piano with his right hand and conducting with his left as a Black man wearing a tuxedo plays guitar in the background.

“It Don’t Mean a Thing”

1943

Watch Duke Ellington and His Orchestra in performance.

Video

A photograph of a chemistry laboratory, with three lab benches in the foreground, midground, and background. Black men in white shirts, dark coats, and dark ties are working at each bench. In the right foreground, framed by a doorway behind him, is George Washington Carver, a mustachioed Black man wearing a dark coat and tie, looking down at another chemist's work.

George Washington Carver’s Laboratory

ca. 1902

Get a sense of the impact of HBCUs on science through the chemistry laboratory at the Tuskegee Institute.

Primary Source