AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

A map of the then-forty-eight states, each with a number of lynchings from 1889 to 1921 (in red) and the number of representatives who voted against the federal anti-lynching bill (in black).

“Visualizing the Red Summer” Map

2015–2025

Explore the history of racial violence culminating in the Red Summer of 1919.

Thematic Map

Two Black women wearing light-colored coats look into a glass vitrine case with the title "Arthur A Schomburg, 1874–1938." Atop the case is a matted photograph of Arturo [Arthur] Schomburg.

“The Negro Digs Up His Past”

1925

Read this essay by Afro-Latino historian and collector Arturo Schomburg.

Primary Source

Marcus Garvey, a Black man, wearing a dark jacket and vest, white shirt, and dark tie. He is also wearing a button on his lapel.

“Address to the Second UNIA Convention”

1921

Read Marcus Garvey’s address rejecting the colonization of Africa and advocating Black nationalism.

Primary Source

Malcolm X, a bespectacled Black man, wearing a dark suit, dark patterned tie, and white shirt, with a large ring on his left finger. He is sitting in an upholstered chair or sofa and smiling with his head in his right hand (leaning on the armrest of the chair or sofa).

The Ballot or the Bullet Speech

1964

Read Malcolm X’s speech on methods to reach equality and the potency of both political activism and armed self-defense.

Primary Source

Carter G. Woodson, a Black man, wearing a dark jacket, white shirt (with a small collar), and polka-dotted tie (white dots on a dark fabric) with a tie bar or button.

“The Mis-Education of the Negro”

1933

Read the preface to Carter G. Woodson’s 1933 book.

Primary Source

The Roots in performance on stage at the House of Blues — band members include (left to right) a saxophonist, trumpeter, keyboardist, guitarist, vocalist (Tariq "Black Thought" Trotter, wearing a white shirt, jeans, sunglasses and a dark hat while holding a microphone), drummer (Ahmir "Questlove" Thompson, behind the drum kit, wearing a black t-shirt), sousaphonist, and percussionist.

“Ain't Gonna Let Nobody Turn Me Around”

2012

Watch a modern performance of a classic song from the Black Freedom struggle.

Video

Joe Louis, a Black man wearing a light colored cardigan sweater and white polo shirt, next to Fidel Castro, a bearded Latino man wearing a dark coat and smoking a cigar held in his left hand.

Joe Louis and Fidel Castro

1960

View a photograph from the boxer’s trip to Havana with a delegation of African Americans in business.

Primary Source

Two water fountains: at left, a larger water fountain labeled "white" and a smaller fountain labeled "colored." The labels appear above the fountains.

Segregated Water Fountains

n.d.

See another example of how Jim Crow discrimination was made manifest in the built environment.

Primary Source

A black-and-white photograph of James Brown, a Black man wearing a white shirt, sunglasses, a metal bracelet, and wristwatch waving as fans wave pieces of paper and look on in the distance.

The Origins and Elements of Hip-Hop

with Jeff Chang

Learn more about the genres, composers, and performers who developed the building blocks for what would become hip-hop.

Video

Photograph of a multi-buttoned drum machine and sampler. The machine consists of a black plastic box with a small screen in the upper left corner, multiple key pads, and a vertical design of black musical notes along the left, center and right of the box.

The Evolution of Hip-Hop and Breakdancing

with Jeff Chang

Explore the development of turntables, sampling, and breakdancing as key elements of hip-hop artistry and culture.

Video

Three boys playing atop the roof of a blue car, in front of an apartment building with graffiti written on the ground floor.

The Influence of the 1960s and 1970s on Hip-Hop

with Jeff Chang

Explore the importance of place and community on the development and growth of hip-hop in its earliest days.

Video

John Lewis, a Black man, wearing a dark jacket and tie and white shirt, speaking in front of two microphones on a table.

“The Revolution Is at Hand”

1963

Read the draft of John Lewis’s original planned speech for the March on Washington.

Primary Source