AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

A circular seal of a woman with wrists in chains kneeling, with her plea above: "Am I Not a Woman and a Sister?"

Am I Not a Woman and a Sister?

ca. 1833

View this visual representation of a rallying cry for abolition among Black women.

Primary Source

The Roots in performance on stage at the House of Blues — band members include (left to right) a saxophonist, trumpeter, keyboardist, guitarist, vocalist (Tariq "Black Thought" Trotter, wearing a white shirt, jeans, sunglasses and a dark hat while holding a microphone), drummer (Ahmir "Questlove" Thompson, behind the drum kit, wearing a black t-shirt), sousaphonist, and percussionist.

“Ain't Gonna Let Nobody Turn Me Around”

2012

Watch a modern performance of a classic song from the Black Freedom struggle.

Video

Joe Louis, a Black man wearing a light colored cardigan sweater and white polo shirt, next to Fidel Castro, a bearded Latino man wearing a dark coat and smoking a cigar held in his left hand.

Joe Louis and Fidel Castro

1960

View a photograph from the boxer’s trip to Havana with a delegation of African Americans in business.

Primary Source

Two water fountains: at left, a larger water fountain labeled "white" and a smaller fountain labeled "colored." The labels appear above the fountains.

Segregated Water Fountains

n.d.

See another example of how Jim Crow discrimination was made manifest in the built environment.

Primary Source

John Lewis, a Black man, wearing a dark jacket and tie and white shirt, speaking in front of two microphones on a table.

“The Revolution Is at Hand”

1963

Read the draft of John Lewis’s original planned speech for the March on Washington.

Primary Source

Map of West and North Africa along the Mediterranean coast, with trade routes and kingdoms noted through illustrations.

The Catalan Atlas

1375

View a Euro-centric impression of Africa, including the ruler Mansa Musa, through this map and essay.

Work of Art

A page from a book focused on a title of legislation, "An Act for the Better Ordering and Governing of Negroes and Slaves."

South Carolina Slave Code

1740

Read excerpts from this slave code enacted in a British colony.

Primary Source

Sepia photographic portraits of a man and a woman; the woman is wearing a white shirt with checked trim and an earring; the man is bare-chested, with well-defined musculature. Both have traditional scarification on their cheeks.

“Escrava Mina” and “Escravo Mina”

1864

View two photographs of enslaved people in Brazil.

Primary Source

A color photograph of a row of ten female Grandassa models with natural, afro-style hair wearing dresses made from brightly colored African-inspired motifs. Three men standing on a small podium behind the models are wearing patterned dashiki shirts. The dark blue wall behind them is covered with posters advertising Black theater performances, shows, and celebrations.

Naturally ’68 at the Apollo Theater

ca. 1968

View a photograph from a key convergence of artists and models amid the Black is Beautiful movement.

Primary Source

George Clinton, a Black man, wearing a bright red wig, dark blue vest, and multicolored shirt with skulls and crossbones, playing the keyboard as other musicians surround him.

Let’s Talk about “Black Panther” and Afrofuturism

with Steve Vasquez

Learn more about the history of Afrofuturism upon the release of the 2018 Marvel film.

Video

Frontispiece and title page of The Souls of Black Folk, with a photograph of the author, a Black man with a mustache and beard, signed by W. E. B. Du Bois at the bottom left.

“The Souls of Black Folk”

1903

Read excerpts from W. E. B. Du Bois’s foundational book, in which he explains his ideas of “the veil” and “double-consciousness.”

Primary Source

Cover of A Red Record, with the title written in red on a yellowed piece of paper.

“A Red Record”

1895

Read an excerpt from Ida B. Wells-Barnett’s analysis of lynchings in the US at the end of the nineteenth century.

Primary Source