AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

Wooden staff in the form of a kneeling female figure holding a stylized snake in an inverted U over her head, topped by a pair of opposing triangles in a bowtie or double-ax form. Female figure has white beads around her neck and staff is pigmented in red, blue, and white.

Yoruba osé Ṣàngó

Mid-20th Century

Take a closer look at an example of syncretic cosmologies.

Primary Source

A black-and-white photograph of Marcus Garvey, a Black man wearing a dark suit, light-colored vest, white shirt, and dark tie, sitting in a wooden chair next to a desk filled with papers, holding a handkerchief in his right hand and a gavel in his left.

Marcus Garvey at His Desk

1924

View this photograph of Marcus Garvey, the founder and leader of the Universal Negro Improvement Association.

Primary Source

A printed certificate with names, date, and location written in

Land Order for Richard Brown

1865

View an example of the short-lived promise of “forty acres and a mule.”

Primary Source

A handwritten copy of the Thirteenth Amendment

The Thirteenth, Fourteenth, and Fifteenth Amendments

1865, 1868, and 1870

Read the three Reconstruction Amendments.

Primary Source

The title of The Christian Recorder newspaper

A Mother Searching for Her Children

1866

View this newspaper advertisement placed by a mother who was sold away from her family.

Primary Source

A typed document on letterhead for the Bureau of Refugees, Freedmen, and Abandoned Lands.

Freedmen’s Bureau, “Circular No. 9”

1867

Read the Freedmen’s Bureau’s circular helping to ensure freedpeople's voting rights.

Primary Source

A typed letter from the Bureau of Refugees, Freedmen and Abandoned Lands.

Freedmen’s Bureau, “Circular No. 8”

1866

Read this order from the Freedmen’s Bureau protecting sharecroppers’ labor rights.

Primary Source

The first page of sheet music for "Lift Every Voice and Sing."

“Lift Every Voice and Sing”

1900

Read the lyrics composed by James Weldon Johnson for what has become known as the Black National Anthem.

Primary Source

Cover of the Messenger magazine for March 1920, featuring two torches held by disembodied hands on either side of a wreath, within which features the contents of that month's issue.

“Negroes, Leave the South!”

1920

Read an anonymous editorial calling on African Americans to move north, east, and west for safety and opportunities.

Primary Source

Portrait of Paul Laurence Dunbar, a young Black man, wearing a dark suit and tie and white shirt.

“We Wear the Mask”

1895

Read Paul Laurence Dunbar’s poem, which poses a “mask” similar to Du Bois’s “veil.”

Primary Source

“If We Must Die”

1919

Read Claude McKay’s defiant poem, in response to violence against African Americans following World War I.

Primary Source

Langston Hughes, a Black man, wearing a dark suit, dark tie, and white shirt.

“The Negro Artist and the Racial Mountain”

1926

Read Langston Hughes's essay on the limits placed on Black poets and writers during this period.

Primary Source