AP African American Studies Resource Archive | Gilder Lehrman Institute of American History

A horse race featuring Black men as jockeys (wearing long underwear in place of racing silks). In the lead is a white horse jockeyed by a rider in red long underwear and a black hat; in second is a brown horse jockeyed by a rider in a powder blue outfit and hat; and in third is a brown horse jockeyed by a rider in a red-pinstriped, white outfit and hat.

“Sketches for the Washington Races”

ca. 1840

View an early depiction of African Americans in sports.

Work of Art

Michelle Obama, presented in a gray skin tone, in a white dress with patches of colored stripes and triangles in front of a powder-blue background. Her right hand rests on her chin as her left hand rests on her knee.

Portrait of Michelle Obama

2018

View Amy Sherald’s portrait of First Lady Michelle Obama.

Work of Art

A portrait of Barack Obama sitting in a brown wooden chair wearing a black suit and white collared shirt. Surrounding President Obama are leaves and flowers of different varieties.

Portrait of Barack Obama

2018

Take a closer look at Kehinde Wiley’s portrait of the first Black president.

Work of Art

graphic of two men placed at either end of title, man on right is wearing a football uniform while man on left has his arms at his hips.

“Playbill” for “Fences”

1987

View the program for this play by August Wilson, part of his American Century Cycle.

Primary Source

From left to right: a Black woman wearing a white vest and plaid pants kneeling with head raised; John Lewis, a Black man wearing a white button-down shirt, black pants, and black shoes, kneeling with head bowed while holding a notepad in his left hand; a Black girl wearing a white shirt, shorts, and shoes, kneeling with head bowed; and a Black man wearing a white button-down shirt, black pants, and black shoes, kneeling with head bowed. All are in front of a brick building with ground-floor windows.

John Lewis at a Prayer Demonstration

1962

View a photograph of members of the SNCC kneeling in prayer in Cairo, Illinois.

Primary Source

A black-and-white photograph of an elderly Black man in a white robe and black kufi hat sitting with eyes closed, plucking a guitar made of a calabash squash.

“Griot Basimana, Mali”

1970

View this photograph, an example of the persistence of African learning traditions.

Primary Source

Medal podium at the 1968 Olympic Games. Tommie Smith (the gold medalist, center), a Black man, is wearing a dark blue Team USA jacket (with red and white trim), the gold medal around his neck, and his right hand in a Black Power salute with a black glove on his clenched right fist. John Carlos (bronze medalist, right), a Black man, is also wearing a Team USA uniform (with an unzipped jacket) and mirrors the salute with his left hand. Peter Norman (left), a white man, is wearing a green jacket.

Tommie Smith and John Carlos during XIX Summer Olympics

1968

View a key example of sports as a platform for the Black freedom struggle.

Primary Source

A button reading "Black is Beautiful," with black text on a white background.

“Kathleen Cleaver on Natural Hair”

1968

Learn more about this element of Afrocentric aesthetics and the embrace of “Black is Beautiful.”

Video

An open-topped car with four passengers in a parade. The driver is a Black man with a dark jacket, white shirt, dark tie, and dark driver's cap. In the back seat, from left to right, is a Black man in a military uniform; a Black man wearing academic regalia; Marcus Garvey, a Black man, wearing a military uniform and holding a sword. Next to the car is a Black man wearing a dark jacket, white shirt, and striped tie. In the background are apartment buildings, where Black people are looking on at the parade.

Marcus Garvey in Harlem

1924

View another photograph of Garvey and an entourage, as captured by James Van Der Zee.

Primary Source

“Nonviolence and Racial Justice”

1957

Explore Martin Luther King’s philosophy toward nonviolent resistance.

Primary Source

A black-and-white photograph of Martin Luther King Jr. speaking at a lectern. Login Required message is an overlay.

Why We Can’t Wait

1964

Read an excerpt from Martin Luther King’s 1964 book, focused on segregation in Birmingham prior to SCLC’s campaign there.

Primary Source

A sepia photograph of Gwendolyn Bennett, a young Black woman, seated, wearing a dark jumper over a white t-shirt.

“Heritage” by Gwendolyn Bennett

1923

Explore Gwendolyn Bennett’s vision of Africa in this poem.

Primary Source