1907/02/02

Horsfall, Charles G., fl. 1900-1910

Autograph letter signed

Title: to Owen Horsfall

He is sending the Draft for $100 he intended to enclose in his previous letter. He quit the mail service a month ago and is planning to go to Nome by way of Seattle. The winds are strong buildings must be propped up to withstand them. He is no longer ill and feels "skookum" again. He hopes the earthquakes, storms, and floods did not hit them too hard.

GLC05245.36

1907/09/11

Horsfall, Charles G., fl. 1900-1910

Autograph letter signed

Title: to My dear boys and girl

Thinks Owen should do some "rusticating" and worries about his nosebleeds. Thinks last year's strikes are affecting the gold output and that individual mining is coming to an end. He is glad Uncle Jesse Knight is taking care of the holdings. Regrets to hear of Heywood's death. Reminds Ed to be "Johnny-on-the-spot" regarding work. Mentions he just had a birthday and is 48. Gives the boys college and nutrition advice. Disucsses a cinnamon dog he bought for his team. Speculates about his plans after Alaska. Says the Guggenheims have their "claws" everywhere.

GLC05245.37

[n.d.]

Photograph

Title: Washington, Martha.

With pencil inscription on verso: "Martha Washigton." Vignette bust portrait. Photograph from engraving. White mount

GLC06391.10

[n.d.]

Photograph

Title: Washington, George.

Vignette bust portrait. Photograph from engraving. White mount.

GLC06391.11

1862/04/14

Morris, Charles F., fl. 1861-1862

Autograph letter signed

Title: to: Susannah L. Morris.

Charles reports that they fought last Friday and "whip[ped] the rebells and took 25 prisoners" which they sent to Washington.

GLC06451.009

1861/12/16

Morris, John, fl. 1861-1862

Autograph letter signed

Title: to: Wilmor W. Morris.

re: John tells his son that the cows "have not done well this season." He asks Wilmor to find out about Charles' debts as "he may want some [money] when he comes home if God spares him." [separate letter on same leaf] George M. Morris. ALS: [s.l.], to Jesse M. Morris and Joseph W. Morris. 16 December 1861. 2 p. re: John and George shot hogs with "gove[ern]ment lead" and will take one to town the next day. George "was at preacher last night at Washington and had to stand all the time." He has not started school yet.

GLC06451.021

1862/02/17

Morris, Joseph W., fl. 1862-1863

Autograph letter signed

Title: to: Wilmor W. Morris.

Joseph had not heard from Wilmor in over a month. Many people in the neighborhood have been getting married, though no one in his family has, and he imagines that "God's command to Noah 'to be fruitful and multiply and replenish the earth' is about being speedily fulfilled." He believes that "our recent glorious victories at Somerset, Fort Henry, and Roanoke Island" must make the "soldiers about Washington feel in fighting mood just now." He expects that Wilmor and his company must be "eager to make a dash at the Rebels and gain a little glory too."

GLC06451.025

1862/03/07

Moms, Joseph W., fl. 1862

Autograph letter signed

Title: to: George M. Morris.

Joseph's division is close to the Confederate forts which have fired at the camp but have not hit anyone yet. The soldiers "holler[e]d over to them if they co[ul]d not dew any better than that they had better quit." They are two miles of Yorktown where "Cornwallis gave oup [up] his sword to Washington." General McClellan, who "was dressed verry common," is with the division and "has sent a flag of truse to General McGruder." Joseph assumes "the ball will be opened this afternoon if they dew not surrender." He was on picket 300 yards from the forts while the Confederates, "belching and…

GLC06451.027

[18 December] 1776

Knox, Henry, 1750-1806

Autograph document

Title: A plan for the establishment of a Corps of Continental Artillery, Magazines, Laboratories &c

Argues that "a well regulated...well disciplined" and well supplied artillery is the most important factor in modern war, and has recently proved decisive in Europe. The British rely on artillery, and feels America should copy them. States the most talented men need to be put into the artillery, and paid more highly than infantry. Lays out the ideal organization of the artillery, with five battalions subdivided into twelve companies each. Lists the number of men ideal for each unit. Also wants a unit of artificers attached to the artillery and a laboratories built in Hartford,…

GLC02437.00505

[n.d.]

Photograph

Title: Carte de visite of Henry Wadsworth Longfellow

Half length seated portrait of an older man in civilian dress, facing proper left. White mount.

GLC06391.09

[n.d.]

Brady, Mathew B., 1823-1896

Photograph

Title: Carte de visite of Oliver Wendell Holmes Jr.

From negative in Brady's National Portrait Gallery. Anthony imprint on verso. Three quarter length standing portrait of a middle aged man in civilian dress. White mount with gold border.

GLC06391.12

[n.d.]

Photograph

Title: [Brown, John]

Three quarter length standing view facing proper right. Photograph from painting or engraving. White mount.

GLC06391.14

[n.d.]

Wilson Brothers

Photograph

Title: [Unidentified]

Three quarter length seated portrait of a young woman in profile, facing proper left. White mount with gold border; Wilson Brothers imprint on verso.

GLC06391.15

[n.d.]

Charles D. Fredricks & Co.

Photograph

Title: [Unidentified]

Fredricks imprint on verso. Vignette bust portrait of an older man. [Photograph from engraving or painting?] White mount with red border.

GLC06391.16

[n.d.]

D. Appleton & Company, fl. 1861-1880

Photograph

Title: Halleck, Fitz-Greene.

Photograph by A.A. Turner. Appleton imprint on verso. Identified in pencil on verso. Vignette bust portrait. Photograph from engraving. White mount with gold border.

GLC06391.18

[n.d.]

J.E., Tilton, & Co., 1851-1878

Photograph

Title: Lowell, James Russell.

Tilton imprint on recto. Identified in ink on verso. Vignette half length seated portrait, holding cane. White mount with gold border.

GLC06391.19

[n.d.]

Anthony, Edward, 1819-1888

Photograph

Title: Andrew, John A.

Identified on recto (imprint) and verso (pencil). Anthony imprint on verso. Vignette half length portrait. [Photograph from painting or engraving?] White mount with gold border.

GLC06391.21

[n.d.]

Photograph

Title: Mitchel, Ormsby M.

Identified on verso. Half length portrait in uniform. White mount.

GLC06391.22

[n.d.]

Anthony, Edward, 1819-1888

Photograph

Title: [Unidentified]

Anthony imprint on verso. Vignette bust portrait of an older man in civilian dress. [Photograph from painting or engraving?] White mount with red border.

GLC06391.23

[n.d.]

Tilton, J.E., fl. 1862

Photograph

Title: Bonheur, Rosa.

Identified on verso. Three quarter length portrait of Bonheur standing next to a large cow. [Photograph from painting or engraving?] White mount with Tilton imprint on verso.

GLC06391.24

[n.d.]

Anthony, Edward, 1819-1888

Photograph

Title: [Unidentified ]

From negative in Brady's National Portrait Gallery. Anthony imprint in verso. Three quarter length portrait of a middle-aged man in civilian dress. Shown in Napoleonic pose. [Photograph from painting or engraving?] White mount with gold border.

GLC06391.25

[n.d.]

Anthony, Edward, 1819-1888

Photograph

Title: [Unidentified]

From negative in Brady's National Portrait Gallery. Anthony imprint on verso. Three quarter length standing view of an older man in civilian dress with long white beard. White mount with gold border

GLC06391.26

[n.d.]

Anthony, Edward, 1819-1888

Photograph

Title: [Unidentified]

From negative in Brady's Natioal Portrait Gallery. Anthony imprint on verso. Vignette bust portrait of a woman. [Photograph from painting or engraving?] White mount with gold border .

GLC06391.27

[n.d.]

D. Appleton & Company, fl. 1861-1880

Photograph

Title: Bright, John.

Photograph by A.A. Turner. Appleton imprint on verso. Identified in pencil on verso. Three quarter length seated portrait. Photograph from engraving. White mount with gold border.

GLC06391.29

[n.d.]

Charles Taber & Co., fl. 1861-1865

Photograph

Title: Subdun[?], Benj[amin]

With Charles Taber imprint on verso. Identified in pencil on verso. Oval vignette bust portrait. [Photograph from painting or engraving?] White mount

GLC06391.30