| You can learn about the different ways sound affects film
by voicing over a scene from Babe, Glory, To
Have and Have Not, The Wizard of Oz, or My Fair
Lady. (We were Babe.) Perhaps of greater interest to you: you
can choose to play scenes from Independence Day and Romeo
and Juliet with different types of background music to see how
different choices of background music affect how you interpret these
scenes. Other portions of the exhibit concentrate on light, sound,
panning, make-up, costume, and too many things to list here.
Also, take a tour of the permanent exhibit “Behind the Screen,” especially if you don’t know much about film or television or if you’re not sure what you’re looking for. Though there were some annoying people on my tour, the tour guide was not one of them. He was very knowledgeable and answered questions patiently and thoughtfully.
In addition to the exhibits and the archive, the museum offers several programs that might be of interest to you. Group tours can be scheduled for a minimum of ten people. If you can’t round up 9 people to form a group, don’t despair. Public tours are offered on the weekend at 2pm. Though you can’t join a school group for activities that occur during the school day, you may join any public programs for adults. These include film screenings, discussions, special tours and workshops and are worth checking out. To give you an idea: current educational programs include screenings and discussions of The Immigrant, a silent film from 1917 about an immigrant arriving in New York City, written by Charlie Chaplin; I Love Lucy: “Job Switching,” the 1952 episode where Lucy and Ethel work in a chocolate factory while Ricky and Fred attempt to do the housework; 12 Angry Men, the famous drama about the dissenting juror who challenges his peers’ guilty verdict; In the Heat of the Night, a pioneering racial drama about a black Philadelphia detective who helps a racist Southern sheriff solve a homicide of which the detective is initially accused; Dear America: Letters Home from Vietnam, a film that combines news footage, period music and voiceover readings of heart-wrenching letters by American soldiers to document the Vietnam War; The Living Room Candidate, a series of presidential campaign commercials from the 1950s onward; and Bullworth, a film about a disillusioned Senator who puts his career on the line by speaking out about the corruption of the U.S. political system.
For the most up-to-date information, check
out both the museum’s posting of weekly events (http://www.movingimage.us)
and its posting on educational programs (http://www.movingimage.us/education/index.html). You
can also find information on current exhibits (http://www.movingimage.us/site/exhibitions/index.html)
on the museum’s website. The museum even keeps several
online exhibits on its website, including a very interesting one
on the history of presidential campaigns on television from 1952
to 2004. It includes campaign commercials that you can watch online.
The museum also has archives that you might be able to use. Although many technological artifacts are stored off-site, the majority of the papers and pictures are at the museum. You may ask the museum about the archives, but keep in mind that they are definitely not where you would start your research. If you do wind up using them, you will most likely be directed to them after completing a significant amount of preliminary research elsewhere.
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